Postby Francais » Sun Jan 05, 2014 2:35 pm
8 inches of snow later, I compared your mark with those on the Pieces in NY. The mark is different, in my opinion. I have to admit it wasn't obvious, and would have been easier if the museum had supplied photos as good as yours. The crack is missing, no big deal, the tail of the C is too high, but most important is the bottom of the V is way too high and placed wrong. Obviously anyone who doesn't have the photos, will have to do me the honor of believing me.
I am surprised when you say you have a lot of experience with beakers from this period, and yet are bothered by the solder around the foot. But if you really think the engraving and wear pattern and patina are all correct then the next thing I would do is have the metal tested. Yale could certainly do it for you, although they may charge, and the curator there, Pat Kane, may be interested in seeing the piece. Personally I have almost never seen a fake I thought was convincing. Most I have seen were pathetically incompetent. I remember seeing one in a Chicago auction, that I called out from 5 feet away, another was accepted by a major auction house and I called it a fake from a small photo in a trade paper, it was also withdrawn. I remember Booze (sp?) appraised a piece that several experts called him on from a television show. I also think that Winterthur had an exhibit of fakes, I asked the curator if it was worth a visit, and he said none would come close to fooling me. So if the piece tests new metal, you have your answer, if it tests old, you may have the real thing. You might also compare the size of the marks. There is nothing that says that CVB couldn't have had three marks, although why two would look so close is odd.
If you do have it tested, please post the results.
Maurice