here is a russian spoon with an unusual pattern. the assayers mark is probably Ivan Yestigneev fom St. Petersburg. I would be glad abaut some informations about the pattern and the makers mark "S.F.".
Kind regards,
Ringo













The Russians make a specialty of enameled work in silver, which forms a large per cent of their export in silver, the principal part going to the United States, consisting of punch bowls, cups of various designs, card receivers, cigarette cases, candlesticks, saltcellars, Easter ornaments, icons, ladies' belts, napkin rings, spoons, etc., which are known over the world and purchased in considerable quantities by tourists as souvenirs, because of their distinctly Russian character. The Russians also excel in the manufacture of special ornaments in silver, with miniatures of Cossacks, horses, sleighs, and implements of war. Dealers here say there is no demand for foreign silver or plated wares; that Russian designs are satisfactory, and as labor is cheaper here than in the United States the homemade article is preferable. The only way to introduce American silver or plated wares in Russia will be by showing superior designs and making satisfactory prices.
W. R. Holloway,
Consul General.
St. Petersburg, March 7, 1902.
Source: Special Consular Reports - Issues 22-23 By United States Bureau of Foreign Commerce, United States. Dept. of Commerce and Labor. Bureau of Statistics, United States. Bureau of Manufactures - 1902
Now, I've never really examined the full details of Fabergé's departure from London, but I've always thought that they left, not because of a lack of popularity of their products, but because of the long-running dispute with the Goldsmiths' Company which ended up with their famous court case in 1911. The problem, in a nutshell, was that gold and silver goods sold in the UK must bear UK hallmarks. Fabergé, of course, were importing their wares from Russia, and as a majority of their imports were enamelled, these pieces could not tolerate being struck with another set of hallmarks without damage being done to the piece. Goldsmiths Hall suggested that Fabergé should send the unfinished pieces over to the UK to be assayed and struck with their marks, and then returned to Russia for enamelling, and then be returned for sale in London. Needless to say, for Fabergé, this was unacceptable, and so Qrt.S is, in a way, correct, it wasn't profitable enough, but not for reasons of popularity, only for reasons of the law.Among those Fabergé who opened a shop in London but it wasn't profitable enough and was soon closed.
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