Hallmark help

PHOTOS REQUIRED - marks + item
clown123
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Hallmark help

Postby clown123 » Mon Apr 13, 2009 7:11 pm

This a lady's vanity case. I have no idea when they were first made but the hallmarks seem to indicate John Parrock (IP) of Birmingham in 1792. Am I wrong?

http://tinypic.com/usermedia.php?uo=Wza ... 47Xg%3D%3D

http://tinypic.com/usermedia.php?uo=Wza ... vCoA%3D%3D

http://tinypic.com/usermedia.php?uo=Wza ... I0fQ%3D%3D

http://tinypic.com/usermedia.php?uo=Wza ... UJ8Q%3D%3D

Thanks!

buckler
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Postby buckler » Tue Apr 14, 2009 4:48 am

The Marks appear to be a markers mark in a dentated rim punch of "?P" a George head duty mark and Lion Passant.

The absence of an anchor makes me feel this is not Birmingham. Birminhgham and Sheffield were very aware that London was waiting for them to make mistakes and were normally very careful to put the anchor or crown on all items.

John Parrock's mark only mark given by the Birmingham Assay office is not dentated and he registered in 1805.

It looks more like London 1795/96, but I cannot trace the maker as an IP . It does not appear to be Newcastle, and no IP appears for Chester , or as far as I can see Exeter.

dognose
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Postby dognose » Tue Apr 14, 2009 5:20 am

Hi,

That's John Piercy's mark. Piercy entered his mark at the Birmingham Assay Office on the 5th October 1787, the address given as 105, Snow Hill, Birmingham.

If you look at the photo showing the whole top, image 3, you can see the Anchor mark, furthest right.

So John Piercy, Birmingham, 1792.

Trev.

2209patrick
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Postby 2209patrick » Tue Apr 14, 2009 5:43 am

Image

dognose
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Postby dognose » Tue Apr 14, 2009 7:21 am

Thanks Pat, thats much clearer now.

It's a good example of the item being decorated post-assay, Piercy would not have had the work done before, for fear of the item being rejected as below standard. It must have been a bit of a balancing act, but the cost of the engraving must have outweighed the cost of the extra assay charges as of course the item, especially where piercing in involved, would have somewhat heavier at assay.

Trev.

clown123
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Postby clown123 » Tue Apr 14, 2009 8:37 am

Trev,

Assuming that the engraving was done post assay, how is it that the assay marks are imposed ABOVE the engraving. Was that typical for the engraver to work around the marks? It does not seem that way from the form of the marks. Curiouser and curioser...

Cliff

dognose
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Postby dognose » Tue Apr 14, 2009 9:58 am

Hi Cliff,

Look at the internal dotted line that butts up to the anchor mark, if you imagine that the anchor was not there, the line would not marry up. The engraver does not appear to have been so careful with the duty and maker's mark.
It was normal procedure to send items for assay 'in the rough' with all the finishing done afterwards. It was of course very important that the hallmark was disturbed as little as possible, from a marketing point of view.

Regards Trev.

clown123
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Postby clown123 » Tue Apr 14, 2009 11:12 am

Aha! Thank for the info. I presume that the silversmith wanted the object to weigh as much as possible before assay? I'm not really sure why it was done that way otherwise.

Cliff

buckler
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Postby buckler » Tue Apr 14, 2009 12:35 pm

Yes , the John Piercy mark on the Birmingham assay office sight matches well.
Sorry I missed the anchor !

dognose
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Postby dognose » Tue Apr 14, 2009 12:41 pm

No, he would want to get it as close to the sale weight as possible, the assay charges were calculated by weight. Although the filing, engraving and polishing all contribute towards bringing the weight slightly down, it's all costs that build up. If all this work was done pre-assay, and then the item failed the assay, then the assayer would be within his rights to cut or hammer the object that was rejected, thus a far bigger loss to the silversmith.
So, make the item roughly, then get it assayed, if it passes, then spend the time on it.

Trev.

dognose
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Postby dognose » Tue Apr 14, 2009 12:47 pm

Hi Clive,

You're not alone, I missed it too, and it had me stumped, it was only when I looked a the other photos again that I spotted the anchor.

Regards Trev.

clown123
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Postby clown123 » Tue Apr 14, 2009 12:51 pm

Trev,

This stuff is fascinating. I had absolutely no idea. Besides the silver purity, what else warranted a reject stamp from the assayer? Sorry for so many questions!

Cliff

dognose
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Postby dognose » Tue Apr 14, 2009 1:20 pm

There could by several reasons why the assayer might reject the submission. The people employed at the assay office were usually trained silversmiths, so if they felt that, for instance, excessive solder had been used, they would reject the item. Other reasons could be, the failure of the silversmith to apply his mark before the assay, the belief by the assayer that something was to be added after assay eg. he would not assay a teapot that did not have a spout. Another reason may be if he was suspicious that a hollow part of the item had been loaded with another material.

I'm sure there are other reasons, but that's all that springs to mind at the moment.

Trev.


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