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The question was whether the tongs had originally started life as a small version of the makers full size design using some of the same elements, or had been altered subsequently from a broken full size pair . The full size pair were probably made from seven separate castings !

An examination of the piece convinced my wife and I ( and Tongtwister) that the small pair had almost certainly been made in that size from the beginning. But we may be biased !
A curious feature was that the “bowls” were totally flat with no concavity whatsoever and no-one could explain their purpose..
Now read on !
Another short pair has now turned up, this time a longer 116mm length but still short as tongs go (most are around 140mm -150mm) . These also have flat bowls, but with a small concavity — an intermediate bowl between the fully dished and the totally flat type. The style is pure rococo, especially as the bowls are asymmetric .


This second pair are almost certainly by Thomas Wigan of Bristol — mark entered in London in 1763. His mark very similar to Thomas Wallis II with which it is often confused —but Wallis’s first script mark was 1780 . Thomas Wigan was the father of the Edward Wigan, one of Samuel Godbehere's numerous assorted partners. The top depression on this TW mark can often be seen on both tongs and buckles.

Curious that these are probably provincial as the only other really small cast pair known to me are by Thomas Eustace of Exeter — which are almost identical to the Hougham pair . He, like Hougham , also made a full size version of them
Can anyone now suggest a use for this bowl feature on smaller than normal tongs please ?
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