louis2000 wrote:Regarding age/period, Do you agree with the probable dating of 1870/1900?
Yes, I rather think that I do. Sorry to have kept you waiting, but I've been kicking this round in my head for a while, to see whether I could comfortably see it as English and/or why I kept seeing it as something rather teutonic, rather German, instead. And that has left me with a bit of a hung jury, you might say. The last decades of the 19thC saw besides a Celtic revival, an equally (or even more) important mediaeval revival that reached right across northern Europe, from England's neo-Gothic infatuation and the Pre-Raphaelite experiments, to Germany's Wagnerian behemoths of the Ring der Nibelungen, Meistersinger and Parsifal, to name a mere few. It's that climate of thought, to me at least, that this goblet seems to want to resonate with.
It's probably a pity that we can't see the full, actual narrative of what's being depicted in the scenes the sides of the goblet are made up of. That could possibly fill in quite a few blanks more. I've come across Swiss-German and Bohemian vernacular pieces of that period, too, which have this somewhat heavyhanded solidity as well, without necessarily going the whole hog with the mediaeval thing as such.
The mark appears to have been overstruck which makes it none the easier to read. It would be interesting to see it (and the whole piece too) photographed in plain daylight, so that all the false reflections and discolourations from artificial light can be eliminated. Either way, it's not an English sterling mark, so that cuts that angle out, and it's not a recognised English plate mark that I can put a name to, which leaves the possible Englishness of this looking rather threadbare?
Just my reflections so far. I hope you can do something of use to you with them at least..?
Best regards,