dognose wrote:Hi
Welcome to the Forum.
Please embed your images.
Trev.
oel wrote:Removed your last post and image link. Please do as requested and follow the instructions.
Peter.
dognose wrote:Hi Andrzej,
You shouldn't need to open an account, just click on the button marked 'Choose Images' and that should take you to your image files.
Trev.
JAY541 wrote:dognose wrote:Hi Andrzej,
You shouldn't need to open an account, just click on the button marked 'Choose Images' and that should take you to your image files.
Trev.
Hi Trev,
Sorry, first time used this and not familiar.
Uploaded images and link below to the album:
https://postimg.cc/gallery/ZBtMbhD
Hope this is what you mean or links to each image individually? Thanks.
Regards
Andrzej














dognose wrote:Perfect! Hopefully someone may recognise the marks.
Trev.
JayT wrote:Hello
Here are some comments regarding this unusual item:
-Silversmith makers’s marks in France were legislated in terms of shape, size and placement. You wouldn’t expect to find a silversmith’s mark on an object made of ivory, bone or wood.
-It was not usual to have silversmiths retail other fancy goods.
-Martin-Guillaume Biennais started out as a tabletier, making boxes, toiletry cases, gaming boards, and small furnishings. He subcontracted out any silver fittings. After the Revolution, guilds were abolished in 1791, so Biennais could register a mark as a silversmith without having gone through the usual training and sponsorship required.
-Biennais had either a stroke of luck or a moment of business genius when he advanced credit to a young Napoléon Bonaparte for the purchase of a toiletry case. Napoléon never forgot his support, eventually naming Biennais silversmith to the Emperor, thereby making his career.
-The mark you say is the trademark for Biennais’ shop - Au Singe Violet - isn’t clear enough to me to attribute it to Biennais. Furthermore, the monkey in profile appears to be facing right, whereas the monkey in Biennais’ trademark and silver maker’s mark faces left.
-Are you suggesting that the gaming tiles in your set were marked by different makers? This to me would not seem logical.
-Do you think the object was made in England with French gaming pieces? This would be unusual in my opinion.
-The wooden game board doesn’t look as refined as Biennais’ usual production. Biennais hot-stamped his wood furniture with Biennais Au Singe Violet, all in uppercase.
Thank you for showing us this object.
Regards.
For more information about Biennais:
Dion-Tenenbaum, Anne. L’orfèvre de Napoléon: Martin-Guillaume Biennais. Paris, Editions de la Réunion des musées nationaux, 2003.
Tamisier-Vétois, Isabelle et al. Meubles à secrets, secrets de meubles. Dijon, Éditions Faton, 2018.
dognose wrote:As the house in question appears to be that of Charlecote Park, then could the item perhaps have a connection with George Lucy? If so, could the dice have been acquired on the Continent during his European tour of 1756 and 1758?
See: https://www.nationaltrust.org.uk/charle ... eorge-lucy
Trev.
JayT wrote:Hello
Here are some comments regarding this unusual item:
-Silversmith makers’s marks in France were legislated in terms of shape, size and placement. You wouldn’t expect to find a silversmith’s mark on an object made of ivory, bone or wood.
-It was not usual to have silversmiths retail other fancy goods.
-Martin-Guillaume Biennais started out as a tabletier, making boxes, toiletry cases, gaming boards, and small furnishings. He subcontracted out any silver fittings. After the Revolution, guilds were abolished in 1791, so Biennais could register a mark as a silversmith without having gone through the usual training and sponsorship required.
-Biennais had either a stroke of luck or a moment of business genius when he advanced credit to a young Napoléon Bonaparte for the purchase of a toiletry case. Napoléon never forgot his support, eventually naming Biennais silversmith to the Emperor, thereby making his career.
-The mark you say is the trademark for Biennais’ shop - Au Singe Violet - isn’t clear enough to me to attribute it to Biennais. Furthermore, the monkey in profile appears to be facing right, whereas the monkey in Biennais’ trademark and silver maker’s mark faces left.
-Are you suggesting that the gaming tiles in your set were marked by different makers? This to me would not seem logical.
-Do you think the object was made in England with French gaming pieces? This would be unusual in my opinion.
-The wooden game board doesn’t look as refined as Biennais’ usual production. Biennais hot-stamped his wood furniture with Biennais Au Singe Violet, all in uppercase.
Thank you for showing us this object.
Regards.
For more information about Biennais:
Dion-Tenenbaum, Anne. L’orfèvre de Napoléon: Martin-Guillaume Biennais. Paris, Editions de la Réunion des musées nationaux, 2003.
Tamisier-Vétois, Isabelle et al. Meubles à secrets, secrets de meubles. Dijon, Éditions Faton, 2018.


JayT wrote:Hello again
Thanks for the interesting information about gaming pieces and dice.
I don’t know anything about these items, but I do know a bit about the French silver marking system, and French silver makers. I can assure you Biennais’ silver maker’s mark did not change in appearance after he was appointed silversmith to Napoléon’s court. Biennais registered his mark 3 times, in 1801-1802, 1804-1805, and 1806. The monkey faced left in profile when his mark was first registered, and stayed facing left on his subsequent marks. The mark was a lozenge-shaped reserve with border, a monkey holding a cup facing left with a pellet on either side, and a B below. How the monkey was depicted on trade cards and other advertising material is another story.
Biennais’ mark is well-documented. The most authoritative source is:
Arminjon, Catherine et al. Dictionnaire des poinçons de fabricants d’ouvrages d’or er d’argent de Paris et de la Seine. v. I, 1798-1838. Paris, Imprimerie nationale, 1991. No. 00459, p. 84.
And the work cited earlier by Dion-Tenenbaum.
Regards.
JayT wrote:Good luck in your continuing research on this object.
Regards.
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