Postby Postnikov » Sun Nov 01, 2009 1:37 pm
HI -
as I mentioned before: one has to look very sharp if the punch of the master is in an oval, circle, square or rectangel. The punches vary over the years - the smiths do not have one punch! Semenov had a factory - they used many punches, some are more used than the others. As a beginner you look at some book, see one foto of one punch and think that is what I have. In reality this smith had x punches used daily, more or less carefully.Then as a collector I have hundreds of pieces in my posession, have touched and handeld hundreds of pieces in museums and at other collections and learned to recognise the quality of certain masters - so if you are in doubt when you see a punch which could belong to different masters - by seeing or feeling the makeup, the quality or by comparison with known pieces - you know who it is or could/must be. Example: take a genuin Fabergé piece and a fake in your hand, close your eyes and tell me which is the original. If you handle Russian silver long enough and do your homework you never will be disappointed! Semenov, Klingert, Sazikov, Ovtschinnikov, Rückert etc. ect. you recognise from the distance! It is the quality!
For more information have a look at Postnikova-Loseva, page 212, No.2339,2340,2341,2342,2343 all from the same smith but very different. You see how hairy it can be if you have no clue who it could be.
Experience helps a lot! I learn every day something new!!!
Regards
Postnikov
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