Postby kerangoumar » Tue Aug 07, 2007 2:39 pm
I think I would approach the question from its opposite end: would you collect any of these spoons - or any other items - if they had been repaired? If so, why, and what criteria would you use in choosing the items you want?
The basic question underlying this is: what you are collecting, and why. You acquired those spoons somehow. If they did not come to you via family, then you probably bought them. Were they damaged at the time?
So perhaps you have a reason that impels you to have them repaired anyhow.
One could draw parallels with buying a cottage (as nigel le sueur did) but one would have to factor out that the cottage serves an additional, important purpose - housing.
Beyond that, though, one would ask - did he buy the cottage knowing that he would make restorations, just as you bought engraved spoons knowing that you would have the engraving removed?
Did he buy the cottage knowing that he would leave things as they are, alterations included, just as you bought the spoons knowing that you would leave them as is?
Did he buy the cottage knowing that he would have problems corrected, just as you bought the spoons knowing that you would have them repaired?
Which of these if valid? Aren't they all? They address differing concerns, is what.
The first wishes to have and use the object in as near to original a condition as possible (even though by returning the item to its original state he is perpetrating an act that can be seen as unnecessarily purist, and can, in fact, be seen as a repudiation of the accumulated history of the item.)
The second likes to see the evidence of previous life and ownership, (even though that can be seen as lack of rigour and lax scholarship, in that one is not acquiring or studying the object in the form or state originally intended).
The third wants above all to use the item and prefers an older to a newer one (even though that can be seen as precious and snobbish in the same way, for example, one might be termed so for preferring French to New World wines).
In the end, each of these is an expression of a different ethos, not better than any other, nor right.
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