Hello Marc
Shown object could be a «memento glories» — 250th anniversary of 30 years war final in Germany 1618 to 1648. It’s manually made in Silversmith’ workshop WOLLENWEBER in Munich, Germany — maybe 1897/1898.
Mark’s area is very disturbed by chased works — especially that mark which is in top position: WOLLENWEBER = workshop’s name. In Munich one of local important workshops of that time — the others: Weishaupt, Mayrhofer.
Workshop was founded 1820 by Georg Wollenweber — his mark was then ZAHN & WOLLENWEBER. After he succumbed early his widow married his companion Karl Zahn = 1829 master craftsman. 1846 took over Georg Wollenweber's first son. Source: «Rosenberg», 2nd volume, Frankfurt/M., p. 354, Nr. 3590.
Maybe it was already usual by Wollenweber family member to use a stretched rectangular punch of whole family name in antique capital letters. Louis Wollenweber, 1819 apprentice, has already used this form of punch; in top row an additional second one by his Christian name LOUIS. Source: «Rosenberg», 2nd volume, Frankfurt/M., p. 353, Nr. 3588.
Mark’s in second row: 800 = stands for silver alloy’s fineness 800/1000; Imperial Crown and Crescent = Symbol of German Silver; yet unidentified mark = maybe a simplification of former Munich mark «Münchner Kindel» (Child of Munich; in monk’s habit); Lion Passant Guardant = an unnecessary fake’s mark; not shown fifth mark could be model number or workmen’s identifications.
Some work of this very complex scenery was maybe done by artists outside of this workshop?
If you like to get an interpretation of battlefield’s scenery you must request historians of 17th century wars.
Battlefield's scenery is based on an artists paint or engraving. Further information maybe you could get also from Munich Town Museum:
www.stadtmuseum-online.de/
Kind regards silverport