Postby dragonflywink » Wed Dec 12, 2012 7:08 pm
Hi Penny ~
Have read over your last few posts a couple of times now, and I'm a bit weary at the moment, so please forgive my denseness, but am having a hard time following some elements of your theories. Am I understanding that you've found Ball, Black & Co. pieces marked both as 'Coin' and 'English Sterling'? Truthfully, not sure if I can even recall seeing a 'Coin' mark on their silver - if an 'English Sterling' or '925/1000' mark is present, it should be that fineness; and why would the prominent and respected B., B. & Co. be more likely to have what you seem to be suggesting is a deceptive mark than Wendt? If you are googling sales descriptions, not really a reliable reference source, they are often incorrect or misleading - among many other possible reasons, using the term 'Coin' in describing pieces that bear marks indicating sterling or higher fineness may simply be a keyword to catch the attention of folks looking for older silver, or the seller might just lack the correct information.
Also wondering why, if the mark belonged to a retailer, they would decide it was good business to omit their trademark from their goods? Why would the lack of an 'English Sterling' mark being used during Wendt's partnerships with Augustus Rogers be an indicator that he didn't use it later? Regarding the use of a mark indicating the piece was of the higher standard 'English Sterling' rather than 'Coin' being of importance only to the retailer, believe a wholesaler would also want his product to be desirable, if retailers and the buying public wanted 'English Sterling', then the manufacturer would make it and mark it as such, especially if requested by the retailers (Wendt also produced 950/1000 silver for B., B. & Co.).
Ball, Black & Co. was always a premier, high-end retailer, on the same level as Tiffany - Wendt left Boston to open his shop in the B., B. & Co. building after a failed, short-lived 1860 partnership with Augustus Rogers and George Wilkinson, which had been formed to provide silver for B., B. & Co. It was advantageous for both wholesaler and retailer - Tiffany's arrangement for exclusivity with the Moore shop had cut out one of B., B. & Co.'s larger suppliers. 'English Sterling' marks found on Tiffany silver of the same era vary, Carpenter's book, Tiffany Silver (1978), shows an example from the Moore shop, as well as others from Grosjean & Woodward, William Gale, and Bogert, Newburg. Since Tiffany didn't use date marks, the dating indicated for those marks covers only a range of years that they could have been used (from 1853-70, varying by maker) - most 'English Sterling' marked items seem to be, by style, circa 1860s. Personally, see nothing in the form of, or in what I can see of the engraving on your snuff box, that would preclude it from dating to circa 1860s, as indicated by the mark.
When John Wendt opened his shop on two floors of Ball, Black & Co.'s newly built establishment at 565-67 Broadway in 1860, the shop was not actually part of the store - very nice to have it right there on the premises, but there was no exclusive arrangement with B., B. & Co. The curved 'English Sterling' marks like yours (one that certainly wouldn't have been on the much earlier Marquand & Co. silver), as well as other marks attributed to Wendt, are also found with other retailer's marks from the same era, and not sure why, if as you suggest, Wendt would take pieces lacking a retailer mark with him when he "left", if he hadn't actually produced them - regardless, Wendt sold his share of the business to his partners Bernard D. Biederhase and Charles Witteck in 1871, seems he left the industry after that.
Suspect definitive proof of the generally accepted educated attribution to Wendt, or to anyone else for that matter, is unlikely. From Venable's excellent book, Silver in America, 1840-1940, A Century of Splendor (1994), "For the greater part of his career, Wendt did not use a manufacturing mark, his pieces being marked only by the retailer. Consequently, most pieces can only be attributed to him based on their style and his work for Ball, Black & Co.". Please keep in mind that, your curved 'English Sterling' is not a 'manufacturing mark' (trademark) - it is an indication of the silver content, the stamp being one that was used on pieces made by Wendt for Ball, Black & Co., a logical conclusion would be that when the same stamp is found on on other pieces, it originated in Wendt's shop.
~Cheryl